Juanita, a lou
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
一(🍮)名男子(zǐ(👓) )不滿一(yī )樁冤獄(🎙)案件(🔲)(jiàn )的發(fā(👠) )生，私自綁(🍹)(bǎng )架審判(pàn )該(🚕)案的法官，將(jiāng )其(📣)囚禁於地(dì )下(㊙)室，並錄影(🔽)開直播，公(🦃)開質(🔳)疑其(qí )判決有(yǒu )誤，要求社會大(❄)(dà )眾對其(⏫)進行公審(🏭)並(bìng )投票，然而(🛁)最終的結果，會因(🤮)此撼(📽)(hàn )動程序(💟)(xù )正義嗎(🔠)？
1995年，Jonas是个躲在(👎)柜中(zhōng )的14岁男(ná(🏚)n )孩，他对英(yīng )俊(🛠)潇(xiāo )洒的(🤖)同学Nathan一(yī(🔓) )见钟(👵)情(qíng )，尤其(📃)对Nathan桀(jié )骜不(bú )驯(🚶)的一(📍)面又(yòu )爱(💼)又怕(pà )。18年(🏾)后，三(sān )十而(é(✊)r )立的Jonas已是风(fēng )流(👧)倜傥(tǎng )的熟男(💡)，却仍在(zà(🐬)i )寻找人生(🔒)平(pí(🤩)ng )衡点，因为挥之不去的(de )回忆阴影(🐽)，他回到(dà(✏)o )睽违已久(📌)的家乡(xiāng )，试图(🌻)在每个记忆(yì )角(🎣)落，寻(🏔)找早已失(👥)去的线索(🎱)、14岁的(de )自己，以(🧣)及他曾经爱过的(💈)那个男孩(hái )…(🆘)
The full-length feature film "Azor", filmed in Mordovia by enthusiasts Victor Chichaykin and Alexander Uchevatkin, was ready a year ago. In autumn of 2017, the creators organized a test show, inviting connoisseurs of ethnography, ancient traditions and people interested in the theme of the history of the Erzyan people.
“NO BORDER 2D×3D” をキャ(🔋)ッチフレ(😗)ーズ(👦)に掲(jiē )げ(🐺)、2Dと3Dの境目をな(🐌)くす(⌚)クリエイ(📝)ティブな(🥕)活動を目指(zhǐ(🤡) )す３DCGプロダクシ(🍲)ョン“Picona Creative Studio”。本作はど(🐘)んなもの(🙇)でも捨て(🤨)てみ(😧)せるゴミ捨て屋コンビと、魔(☔)法(fǎ )を捨(🎈)てたい魔(💺)女(nǚ )が繰り広(⛅)げる、ファッシ(🚘)ョン(😏)× ポップ(👚)× アニメ(🔕)をキーワード(🌃)に魔法と科学を絡み合わせた(⏪)スラップ(✝)スティッ(🌪)ク・(🦐)アニメー(🛏)ション。同社が長(🐶)年(niá(🔴)n )温めてき(🍸)たオリジ(🤱)ナル企画が、(🍷)ついに実現！
影片(🌗)根(gēn )据蔡骏小(🏊)说《荒(huāng )村(🖱)公寓》改(gǎ(🐞)i )编， 主(🎟)(zhǔ )人公蔡俊根据父(fù )亲探险笔(💼)记(jì )写成(🧟)《荒村公寓(🥡)》一书(shū )意外走(🧑)红，表妹苏(sū )萌坚(📜)信(xì(🛏)n )有荒村的(🙁)(de )存在，同粉(🈹)丝会书(shū )迷踏(🚫)上(shàng )寻找荒村的旅途，书迷自荒(🌩)(huāng )村归来(🔕)(lái )后，身陷(🌆)诡异(🏣)迷(mí )局，苏(🍞)萌昏(hūn )迷于睡(shuì(🈺) )梦中(🌟)，春雨(yǔ )精(😕)神(shén )分裂(🐰)住院，韩枫失(shī(🎮) )踪生死未卜(bo )，预(yù(🚜) )言成真。而(ér )在(👶)签售(shòu )会(🧕)现场，陌生(🦖)女(nǚ(🎠) )孩欧阳小枝(zhī )拿出一(yī )张来自(📴)荒村的照(💂)(zhào )片后神(🤪)秘消(xiāo )失。进(jì(🚙)n )士第、赶尸匠、(🐼)巫蛊(🎚)师三大家(✒)族的(de )恩怨(🐧)情仇渐渐浮(fú(🛑) )出水面，一连串诡(guǐ )异事件(jiàn )的(📪)真相也呼(🙊)之欲出，荒(🚵)村宝(🍾)(bǎo )藏传说(😧)(shuō )的秘密终于解(🍂)开，可(🆕)在地宫(gō(🔍)ng )秘境里(lǐ(🔺) )，一路携手(shǒu )走(🕋)来(lái )的蔡俊、小(🍇)(xiǎo )枝经历(lì )了(🐦)一场生死(🈯)(sǐ )离别(bié(🌵) )…
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